October 06, 2018
October 04, 2018
October 03, 2018
I hope to make several tags this week and link-up to Simon's Monday challenge because I love to make tags. If you haven't seen my flipcard blog, manilaguerilla.blogspot.com, it's where I file them and you can change the view to any format you like (the "Mosaic" view is pretty cool, too).
This tag is clean and simple and here's what I used to make it: Prima Epiphany paper, Idea-ology Aviary collage paper, and stamps by Heidi Swapp and Tim Holtz.
This is the first time using the Aviary paper and the birds are a little blurry/fuzzy. I don't know if this is by design (Tim does like the distressed look) or if I just got a less than perfect batch and I wish the images were sharper. Even so, I love this new paper (I already have the Botanical and Plain versions) and I highly recommend it if you like to do collages.
September 29, 2018
You'd think working in monochrome would be easy--yes? I have found it to be easier said than done.
And so, for this week's linkup to Simon's Monday challenge, I took the easy way out and went with a black and white theme.
It started with a background paper (Paper Studio B/W Abstract), layered under a page trimmed for the base from Prima called Epiphany.
The luna moth was printed from some clip art then cut-out and pasted and embellished with gray paint and black and white pens (Sakura gelly rolls and Pitt big brushes).
There's a little washi tape, some Remnant Rubs, and a stamp from a set by Tim Holtz called Stamp Collector.
One of my favorite tools used for the black shading around the moth is a Derwent Sketching pencil--Dark Wash 8B.
September 09, 2018
Have you ever wondered what it would look like to stamp several Tiny Things* with archival ink on hot press watercolor paper cut in the shape of a tag then filled in with colored pencils in rainbow fashion?
Me, too! I'm linking to Simon, the Monday challenge is "Stamp on it."
*Stamps by Tim Holtz (except for ant).
September 04, 2018
I used this finish on a CHA 2017 project and here's the link if you'd like to see another example.
A Found Relative was cut-out and placed between a sandwich of two Baseboard Frames and vintage book paper of a blue sky was attached to the back.
The background consists of the stained wood of the tray along with vintage book paper text.
The large white script was made using a home-made stencil and white paint on Plain Collage Paper.
By using the collage paper, I have lots more control over where it's placed and after pasting down it becomes almost invisible.
The tiny bee on top is an image transfer on the backside of a vintage button (I filled in the holes with paste medium).
The sunburst is also a transfer and the image came from a Trader Joe's flyer.
The gentlemen were cut from French Industrial paper stash and there's also a vintage postage stamp.
The flowers were cut from the Wallflower paper stash and that's an Idea-ology key dabbed with white paint and dark ink to distress it.
The honeycomb was made with a Tim Holtz Mixed Media thinlet.
This piece was a long-time in the making and there were several versions before I finalized it.
Funny thing, though--I ended up returning to my original idea. I guess I needed to try out all the possibilities before I could fully embrace the design.
August 17, 2018
Another digital photo just begging to be altered (thanks again, Vintage Everyday) and, in this case, in a most unconventional fashion. But I truly celebrate these type of creations because they conform to no one and are purely me.
And it's been awhile since I've made a tag and they're very therapeutic!
August 14, 2018
Splatters and Sprinkles is the theme this week at Simon's Monday Challenge Blog. The paper I used for this greeting card (Modascrap Fly & Scrap) already had splatters which is good because I am somewhat (very) splatter-phobic.
I married it with a snail (Un Escagrot by Carabelle) cut-out and tinted to match the foreground and some washi tape.
The sentiment came from Simon (Beautiful Flowers) and the keyboard stamping is by Tim Holtz (Documented).
August 11, 2018
This is made with tape--washi/design tape, whatever you want to call it, placed in strips or torn into pieces and, where there were windows, covered over with tissue paper.
What could possibly have inspired me to do this?! It started with a photo found on the net (thanks, Vintage Everyday).
After printing, I began to cut away sections and then set it away for awhile, not sure where to go with it but I knew collage would be a part of it.
Then along came a prompt from Simon's Monday Challenge Blog where this week's theme was to add some tape to whatever you make.
Okay, so I went a bit overboard but it was an interesting personal challenge and if I ever use this technique again in a more serious way, I did learn how to best manage the properties of the tape (slick surfaces, sealing, etc.).
I won't share them with you as I doubt anyone would ever do something as crazy as this.
August 02, 2018
Wild thing, you make my heart sing...
I have a hummingbird feeder right outside my window that I keep filled year-round. The most frequent visitors are Costas. They are very small (less than 3 inches) and I am amazed how they can survive the extreme temperatures and monsoon storms during this time of year.
So this is the "wild thing" I chose for this week's theme at Simon's Monday Challenge Blog.
I traced the outline from a photograph and used watercolors on a blank watercolor postcard.
The male hummingbird has an iridescent purple gorget (throat patch) that flares out along the sides of the neck like a mustache. I wish I'd had iridescent paint but I could go over it with some Perfect Pearls if I wanted to duplicate this effect.
If you are shy about watercolors, you might be more comfortable working with a small format as I find it easier to manage. All you need is a tiny brush.
July 28, 2018
Simon's Monday challenge was prompted by a special blog hop and a chance to win some crafting goodies, but Christmas in July--really?
While it was hard to "get in the spirit" when we've had record-breaking high temps this week, I accepted the challenge and here's my entry.
My card may be a little unconventional so I thought you'd appreciate a peek at the main ingredients before I applied a wash of gesso and then Distress Oxide (Peeled Paint) to create the background.
It would be difficult to pull this off without using a strong backing so I pasted the collage onto some thin packaging material which would be cut to size near the end.
Some Liquid Pearls (Ranger) were dotted around the oval, the backing was trimmed and then I pasted brown mulberry paper (because it's thin) on the back to frame it. Before mounting on folded cardstock, I stitched around the border.
The poinsettas were cut out of Graphic 45 Winter Wonderland, the bird is from Wallflower and the calendar page is from Tidings (Tim Holtz Paper Stash).
I used a glue stick for everything except the poinsetta (attached using spray adhesive) and the final mounting (double-sided cellophane tape).
July 27, 2018
My grandmother had a habit of writing on photographs of family members. While maybe not great for the appearance, I do appreciate the documentation.
This photo was the kind that is printed on a postcard. It was identified as "Minnie Nolan's first boarding house in Kansas City."
I used the actual photo (rather than a copy) with its wrinkles, writing and a missing corner and applied a thin wash of off-white acrylic paint to block out the background.
It was mounted behind an Idea-ology Collage Frame dressed up with various pieces of Tim Holtz paper stash (the vines were cut from Wallflower).
The polka dots (Tim Holtz Dots & Floral) were stamped on his new Plain Collage Paper and layered over the upper left corner. I made dots around the oval with Scribbles (3D fabric paint) and distressed some metallic numbers to blend in with the overall color scheme.
I cut a piece of book board to cover the back and painted the edges. I trimmed the frame's border with lines of black and gold metallic inks.
The butterflies are some digital clipart that I printed on vellum and cut-out. The word "legacy" is a Remnant Rub.
I don't think Grandma Nell would mind what I did with her photo, it's better preserved now and her notes have been transferred to the back of the frame.
July 16, 2018
Hours have gone by with no end in sight. A work in progress just won't come together and I needed a break. So, I made a tag with random bits from previous pieces and I feel better now.
It's a lesson in remembering to let go of control, to trust your instincts and to embrace the process instead of the end result.
July 08, 2018
A recent purchase (Beautiful Flowers stamp set by Simon Says Stamp) has captured my interest more than most these days. The main flower grouping is really fun to experiment with and the detail is exceptional.
This time, I've stamped the image onto old book paper using brown ink. After it was fussy-cut, I mounted it on a background made with papers from the Wallflower Paper Stash and trimmed it with washi tape.
I filled in the embossed text with white Perfect Pearls and also dabbed it on the flower centers and some of the stamen.
July 05, 2018
I recently purchased a stamping platform and I am over the moon about it! Stamps I avoided in the past because they were difficult to use no longer scare me. And because I want to use ALL my stamps with this new tool, I have converted my collection of wood-mounted stamps to cling-mount.
I want to share some things I learned during the process to help others who might also want to do this. There is already a lot of information on the web but it didn't really prepare me for what I was up against.
You will need to purchase the cling mount sheets. I used a brand called EZMount and buyer beware, there are two sizes: Regular which is 1/8" thick and thin which is 1/16" thick. Go to the manufacturer's website (Crafter's Companion) and the product descriptions will explain the difference. I used 1/8" thick foam for all my stamps but your needs may be different.
This was a good time for me to purge some of my inventory and donate stamps I no longer care for, giving me a better idea of how much cling mount to buy. I only converted my favorites and didn't convert really tiny ones.
Make sure to measure out your stamps on the printed side with the stamp facing up and give yourself some wiggle-room with the margins. This is because it's tricky to lay the stamp down exactly where you want it during the final mounting and you'll be able to trim it more cleanly if you leave a little more room.
I didn't use scissors to trim the stamps. I used a utility knife instead and think it was MUCH MUCH easier. When I came to some curvy parts, I just made tiny stabs around it with the knife--no problem.
You may get some "sticky-stuff" on your knife blade or your fingers. I used paper towels to wipe off the knife blade and gel hand-sanitizer for my fingers. You don't want to transfer any of it to the image-side of your stamp so keeping things clean is kind of important.
Okay, that was the easy-part. The hard part?
Nothing I read on the web prepared me for the challenge of cleaning the stamp's backside once it was removed from the wood base. Each and every stamp came off differently and presented new challenges.
A few peeled off perfectly and required no additional effort--they were ready to remount. Most peeled off the wood base pretty easy but no matter how carefully I worked, remnants of either foam or dried glue or really tacky glue remained on the backside.
The cling-mount instructions state that this side should be clean before mounting and I accepted the challenge. Here are some examples:
In the photo above, the original glue (still VERY tacky) remained on this stamp and I only had to pick away at the few bits of foam, left the glue intact and it was re-mounted.
In this example, the stamp peeled fairly cleanly except for some foam areas and the glue holding it on was dried out and very hard. I used a grout saw which has a sandpaper like edge to scrape away the remaining bits.
Here's another example of what remained after a peel from the block only this time, the remnants (glue and foam) were still somewhat sticky and would be difficult to try to rub off (think price tag on plastic).
So I used a strip of high-adhesion masking tape, rubbed it down over the remaining bits and voila! It pulled off the glue and the foam easy-peasy (wish I'd thought of this sooner).
In my last example, the foam and glue that remained on the stamp was roughed up with my scraper first and then I used masking tape to pull off the loose material.
If you are still reading along, I'll end this post with a couple more tips/suggestions that you might consider:
- It will be tempting but don’t use "Goo-Gone" or "Goof-Off" or similar solvent-based products as they are not recommended for use on rubber and could damage your stamp.
- If your stamp is of a ruler or similar image where having a really straight edge is important, don't forget to mount it on the foam as straight as you can. The rubber is flexible and kind of floppy and that could work against you during your placement.
- Before remounting, it's a good time to give the image-side of the stamps a good cleaning and also to re-trim problem areas that the manufacturer may have missed.
- Do the easy, least favorite stamps first until you get the hang of it.
In the end, I am SO GLAD I tackled this and I can't wait to give new life to stamps that will shine under the control of my stamping platform.
My storage needs have changed and I plan to blog about a rather unique solution at a future date that you may enjoy reading about as well.
Until next time, Happy Stamping!!
July 04, 2018
June 24, 2018
A journal page to share with you today made for Simon's Monday challenge--this week's theme is "Transport It." It was a chance to embrace my passion for collage and to try out a new addition to my craft stash--Idea-ology Plain Collage Paper (Tim Holtz).
Over the years, I have amassed a sizeable collection of images taken from old picture books (no worries--they were destined for the trash) and it was a pleasure to find the material I used for the background.
I also used an image from the net that was fussy cut and pasted over the top. The foreground paper is from Tim's French Industrial paper stash. The text is a Tim Holtz Clippings Sticker.
The Plain Collage Paper was used to stamp the typewriter keys (Tim Holtz Documented) and also the postage stamp (Hampton Art 2010).
Here's a close-up view and you can see how transparent this collage paper can be. I find it superior to other tissue papers I have used in the past and know I will get a lot of use out of it. There are also printed versions with flowers, birds, and script.
In case you are wondering, a penny farthing is a high-wheeled bike and I suspect the driver of the motorcycle with sidecar may have been the photographer.
That's the Hammersmith Bridge, London in 1900. The city skyline is Florence, Italy, and the postage stamp and the stamped script (Inkadinkado) are French. Now that's traveling!
June 22, 2018
|Click on photo for larger, lightbox view|
Someday I should start saving all my tag experiments gone bad so that you can see how this format is really meant to be my chance to try new things and to learn from my mistakes.
Occasionally, I get it right (in my mind, anyway) and those are the tags I blog about. This one, in particular, is a good example of what I'm talking about.
The paint I used was initially transparent so variations in flower color are due to the background (an image transfer over a book page) showing through. I applied another layer of a more opaque color on the flowers near the top to achieve more uniformity.
It was easy to lift paint off the embossed areas even after the paint was dry and I'll definitely try this technique again.
I thought the play of text and page margin under the face would be interesting but it was too severe so I applied a strip of Tim Holtz Tissue Wrap along the edge to soften the contrast.
To balance out the bottom I added text with texture paste and a homemade stencil. The paste was white. I've learned from experience that it's almost impossible to tint the paste black before you apply it because the best you can expect is maybe a dark gray.
So I took a teeny-tiny paintbrush dipped in black ink and painted the texture paste after it had dried. I've never tried tinting the paste with ink instead of paint so maybe I'll give that a go on a future tag. I also wonder if there's a black texture medium that you can buy?
June 13, 2018
What to do, what to do...
I can't bring myself to use the papers included in this month's Simon card kit because they are just too pretty! Seriously.
And I couldn't bear to cover up the background of a tag made with a new embossing folder (Tim Holtz 3D Botanical) because it was just too pretty, too!
So I tried to think of a design where I could leave most of it showing and here's what I came up with.
I really played around with distressing the background. I embossed a rather thin piece of pink paper (after slightly damping it first) and then I gave it a coat of Krylon clear matt finish to seal and protect it.
Then I went crazy with gesso, inks, and paints--brushing on, wiping off (and even a little bit of sanding), just to see what worked the best to bring out those glorious embossed details.
Who could blame me for not wanting to cover this beauty up?!
The girls are Paper Dolls (Tim Holtz) and the butterflies came from the Graphics Fairy which I printed in miniature on vellum and then cut out.
Some tiny jewels (tinted with alcohol ink), a scrap of vintage sheet music, a Remnant Rub (text) and a border made with dots of Liquid Pearls were also used.
I tinted the Paper Dolls with transparent acrylic paint and the white of the pearls and lace were made with a Gelly Roll pen. I had a tiny butterfly that was just the right size for sitting atop the little girl's hair bow.
I'm linking this up to Simon's Monday Challenge Blog, this week's theme is Anything But A Card.
Now, what to do about those pretty papers...