Devil or Angel?

My entry for Tim's May tag features a snapshot from the Idea-ology Photobooth strips along with pieces from the vellum Expedition ephemera pack, a metal number brad and the School House stencil.

I thought I'd share a few tidbits regarding my distress techniques rather than provide a step-out since Tim's got that covered.

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I distressed the photo by peeling off the back so it would be thin enough to scrunch then flattened it out, pasted the backing back on and inked the edges.

A liberal amount of water was used with red brick and iced spruce to tint the texture paste and background. Naturally, the tag warped a bit so I flattened it out with some heavy books overnight.

There's adhesive-backed metallic mesh behind the photo and I used text rub-on's for the question marks. I also wanted the hole reinforcement on the tag to show so I cut my background papers around it.

I used a typewriter for the text on the shield. To insert it into the machine, I used washi tape to temporarily fix it to a larger piece of paper.

I distressed the shield with sand paper and tinted the edges with colored pencils.

I removed the tabs from the number brad then flattened it out with a rubber mallet. I darkened the numbers a bit with a fine permanent marker.

To tone down the color of the arrow which was originally a very bright orange-red, I used a colored pencil in a complementary color, blue-green (which is opposite orange on the color wheel).

This is a good trick to become familiar with when going for a distressed look because adding a color's complement is a proven way to tone down the original hue by reducing it's intensity.

To paste the arrow, I marked off where it would be then scraped away the stenciled letters underneath so it would lay flat on the background.


Well, I think that's everything and once again, I enjoyed the challenge of this month's tag.  Tim sure did pull out all the stops this month and I hope you are inspired to create something too!

Rosie Evening

I am happy to share this two-page journal spread with you today thanks to a prompt from Art Journal Journey where this month's theme is things with wings.

I know I should draw more but I just don't enjoy it as much as cutting and pasting. I have to work at it and I guess I'm lazy. But I thought I'd give a go at drawing these birds using a text book as my guide after creating a background from stamped papers.

The white stamped squares were made with acrylic paint using a silicone pot holder similar to these.

The birds look very much like a pair of House Finch that currently enjoy the sunflower seed feeder placed right outside my window. While most of North America is covered with snow right now, many of our avian friends have come to the desert southwest for a visit.

My Paradise

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When I was a kid, my family spent every weekend in the summer camping in the mountains of Colorado. But I married a man who doesn't share my love of the outdoors and roughing-it so, that is that.

But when prompted by the Monday blog challenge at Simon Says Stamp to create a piece of paradise, I just couldn't help but paint a journal page about my ideal.

Nothing would make me happier than to pack up a home on wheels and spend the rest of my days traveling round the countryside.

I gessoed a two-page spread in my large Dylusions journal, penciled-in a sketch, went over it with magic marker, and used plain old craft paint for tint.

The only rule I followed regarding color choices is one I always keep in mind--warm colors appear closer than cool colors:

• The moon is white (cool)
• The windows in the camper are yellow (warm)
• The mountains are blue-ish purple (cool)
• The grass is olive green (warm)

It was more than the usual amount of fun to make because it struck such an emotional chord. I have to thank the Design Team at SSS for a great prompt this week!

Best Day Ever

All the paper bits for this tag came from Tim's Crowded Attic paper stash. His February tag features a collage theme so I cut and distressed the background like he demonstrated.

For embellishments, I used Crackle Accents on the frame edge, an Ephemera Pack label, Remant Rubs, a small Arrow Adornment, a Number Brad, washi tape and some gingham ribbon.

Here's a tip about the Ephemera Pack label: They are made with vellum and are semi-transparent but I painted the backside with white acrylic to alter its appearance.

I also used a touch of gold paint on the arrow and brad and filled in the number with red.

Best day ever? For me it's this Saturday when my husband and I will celebrate our 34th wedding anniversary.

Happy Valentine's Day!

Buddies

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I've spent a lot of time, lately, working with the Idea-ology Found Relatives.

When I opened my first box I have to admit I was disappointed in how thick they were--a bit like playing cards.

In some applications, a thick photo is good but I use them most for collage and in this case, thinner is better.


But now I know it's SO EASY to modify them and I thought I'd share one of the ways I do it in case you'd like to give it a try.

First, peel off the back covering. Use your fingernail or a knife to get it started then just slowly pull it off (really easy).

Then get out some sandpaper (I use Tim's sanding block) and remove as much of the paper backing as you'd like.

For really thin photos, after sanding, spritz a little water on the back and rub off more paper bits with your fingers. Be gentle at this stage because the water weakens the paper and it becomes more delicate.

I've been able to get a photo so thin you can see through it! These guys are pretty tough and you'd never be able to do this with a regular photo.

It's also much easier to trim the photo after you've thinned it down a bit and I always tint the cut edges with a waterproof ink marker so they blend into my backgrounds better.

My "Buddies" came from the new Occasions series of Found Relatives and I created this tag for the winter theme at Simon's Monday blog challenge. I did some sanding, peeling and rubbing of the background paper, pasted on the boys, then used Simon's Falling Snow stencil with some white acrylic paint.

I didn't intend to create an avalanche but that's what it looks like!

Together

"Make New Friends and Keep the Old" is the Monday blog challenge this week at Simon Says Stamp. It's also the name of a song I learned in Girl Scouts which was sung "in-the-round" (like Row Row Row Your Boat). I hadn't given it a thought since I was a Brownie xxx years ago ☺ and now I'm having major flashbacks. For you youngsters out there, here's what our uniforms looked like back in the day:

Imagine girls (of any age) wearing gloves today and why did the Brownies wear a manly bright orange neck tie? Strange, yes, but I liked them. Mom, not so much as they were a pain to iron.

The challenge prompted using something old or new so I grabbed the very first stamp I ever purchased, a vintage sunflower from Inkadinkado. It is based on this original engraving:

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I applied an image transfer of the girls to a blank tag and before rubbing off the paper, I stamped the background. This way the transfer acts like a mask and saves a step or two. I used distress inks and colored pencils to tint and washi tape for embellishment.

The "new" feature on this tag is the Tim Holtz Remnant Rubs text which I recently acquired and used for the very first time.

If you'd like to know more about the image transfer technique, you can find my tutorial here.

Take Aim

Here is my January tag inspired by Tim's 12 Tags of 2015. This month, it's a play on words and I chose mine from the pages of a book. The background is his new tissue paper and I modified one of his index labels to make a bull's eye.

I really like using Tim's tissue paper: It's tough but thin so it's great for pasting, it stands up to abuse and I like that it's barely transparent. But initially, I found it a bit challenging to tint (especially with dye inks) under certain circumstances.

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So I'd like to share a new technique I worked out which you may also wish to try. The tissue colors on this tag are distress stains applied to the back of the paper. Since the paper is transparent, they show through and won't be disturbed when you paste or paint on the top side.

I'm so happy the tag tutorials will continue again this year, it's great to see everyone's creations and it makes me feel part of something really special. And, of course, I love making tags! 

Believe

Tim introduced a new product this month called "Frosted" during his December tag tutorial.  It looks interesting and I hope he demonstrates other uses for it in future posts.

I substituted old-fashioned drafting vellum for my background and text by using the Falling Snow stencil (Simon Says Stamp) and a section from Tim's Christmas Words stamp along with some embossing ink and powder to create a similar effect.

The reindeer was embellished with Perfect Pearls and you may recognize the leaves from Tim's Wallflower paper stash. The number 25 is an Idea-ology Plaquette.

I'd like to share an embossing technique seen on the leaves as it comes in handy when you want fine details and better control.

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I used a gel pen to draw in the areas I wanted to emboss. In this case, it was the veins on the leaves.

The ink stays wet long enough to apply embossing powder. I used various pen colors and clear powder in this example.

Murmuration

A flock of starlings is called a murmuration and they gather at dusk in great numbers to perform an incredible ballet before resting. I didn't know about this (starlings don't inhabit the Americas) until I saw a You Tube video (gone viral) and my tag made me think of it so I gave it this title.

I was inspired by Emma Williams' post over at Simon Says Stamp where she shared a technique for creating a moonlit sky as part of this week's Monday blog challenge which is To the Moon.

I got a bit hung up during the rendering of clouds so I improvised thanks to the painterly quality of distress inks. I used a stamp called Winter Ledge by Penny Black.

I thought I'd share my own tip for getting a mask to stay put while you are inking around it:  Martha Stewart's ballpoint tip glue pen creates a permanent bond when used wet but if you let it dry it creates a temporary bond (says so right on the pen). So I just dab a little on the back of the mask, let it dry, then stick it to my artwork knowing that it will be easy to peel off and will leave no residue behind.

Also, applying Antique Linen as a first layer helped a great deal with blending-in the Dusty Concord. It's probably because that first layer of ink (still somewhat wet) provides a slick surface for adding the second layer.

And now, if you've never seen a murmuration, prepared to be amazed!

Treats

The image I used for this tag shows a little girl dressed up in costume and I'm pretty sure it wasn't for Halloween but instead, illustrates the Victorian obsession with fairies.

The following explanation came from a book review on Amazon:

Clap if you believe in fairies! The Victorians did, writes Carole Silver in Strange and Secret Peoples: Fairies and Victorian Consciousness, but she's not exactly talking about Tinkerbell here. Silver prefers the more gruesome and treacherous species of fay: changelings and vampires, brownies and goblins. The Victorians took these creatures very seriously, indeed, and according to Silver, this belief tapped into some of their society's most fundamental anxieties. Fear of physical deformity, of women's sexual power, of racial or class difference: these were the true bogeymen that haunted the Victorian imagination, and they responded with a flood of art, literature, and theater that portrayed these imaginary creatures with equal measures of fascination and horror.

Now days, Halloween has become an extremely popular holiday and rivals Christmas or Easter with its enthusiastic decoration and celebration. Is it because we suffer from similar anxieties?

About my tag: A cutting from Tim's Wallflower paper stash was used for the background. I love the lithographic quality of this paper and brought out some of the details with Gelly Roll pens.

I further embellished with Stickles which I store upside down to keep the thick solution close to the tip and always ready for use.

A light touch with colored pencils helped to tint the little fairy's dress and provide a shadow for her to stand on.

I'm linking this post to the Monday blog challenge at Simon Says Stamp where this week's theme is treats. Happy Halloween, everyone--I hope it's full of sweets!

Miss Henrietta Strong

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I always begin a collage by using an image with strong personal appeal and when I stumbled upon the image that inspired this tag, I was awestruck!

I'm not a youngster (I've been around the block a few times, so to speak), but I had no idea that poppy seed heads could, under the right circumstances, dry to reveal such a mesmerizing, skeleton-like structure.

I also liked this image of Miss Henrietta Strong (found here). Her all-white court costume gives her the eerie (and intentional) look of a living porcelain doll.

The butterfly was cut from a magazine and altered by cutting down it's size and adding some white paint. I liked that it's structure resembled that of the poppy seed head.

The background paper is from Idea-ology (Destinations Paper Stash) and the edges were embellished with a 3D paint called Scribbles.

I'll close by sharing a quick tip when working with collage elements that I find quite helpful--it's called encasing.

To protect your paper elements (like Henrietta or the butterfly), it's a good idea to cover the front and back with a clear medium before adding them to your composition. That way, they are protected from later abuse when using image transfers (poppy seed head) or further tinting. It's also much easier to paste down delicate pieces because the medium strengthens them.

My inspiration came from this week's SSS Monday blog challenge where the theme is white and I'm linking it there.

Natasha

A pretty Russian ballerina on a starry background surrounded by a Russian banknote is the tag I made for the Monday blog challenge at Simon Says Stamp where the theme is the number five. It was made by simply printing, cutting and pasting and then adding a bit of distress ink along the edges.

I like using this old Russian money because of the intricate frames and was lucky to find one in this denomination. I used a similar note a few months ago which you can read about here.

When I use photographs of people, I pay attention to the light source and try to work it into the composition. Here, I featured the ballerina's back lighting using paper left over from an altered book project. Sometimes I think it's silly to save all my scraps (I kept this one six years) but today, I'm glad I held on to it.

To Have and to Hold

The best part of a challenge? For me, it's exploring a subject that's not part of my normal repertoire like Weddings or Anniversaries, which is the theme for Wednesday's blog challenge at Simon Says Stamp.

I started by finding a great vintage photo of a bride and groom and thought I'd turn this lovely couple into a wedding cake topper. The cake was decorated with washi tape, acrylic paint and a fine tip marker. Distress inks, acrylic paint and a hand-made stencil were used to create the background.

Since I do a lot of "fussy-cutting" I thought I'd share a tip, especially when using figures from photos: After cutting, take time to ink the edges as this will help to blend them into your collage.

Making this tag was a lot of fun and a great excuse to play around. I never decorated a wedding cake before and I got to know this couple a little better. But why didn't the bride smile and what did the groom need gloves for?