Note to Self

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This week's theme at Simon's Monday blog challenge is to create using only three colors and, while this tag may look like I left them out, my trio is off-white, green and sepia.

According to Google, black is not a color; a black object absorbs all the colors of the visible spectrum and reflects none of them to the eyes (in case you were wondering).☺

I used a Found Relative photo which I cut-out and pasted to the edge of a postcard and then attached to a manila tag tinted to match the postage stamp.

The backside of these photos have pretty patterned paper which I peel off (to make cutting easier) and I decided to use it to make the postcard background more interesting.

I just cut away some of the pattern, flipped it over, pasted it down then peeled away parts of it (like on the lady's face).

I added some Remnant Rubs and emphasized the shadow near the lady's feet.

(Note to self--dream big AND dream in color!)

(Another note to self--the postmark on this card is 1915 which means I used a 100-year old post card to make this tag.)

Remnants

rem·nant
/ˈremnənt/

noun

a small remaining quantity of something.

a piece of cloth or carpeting left when the greater part has been used or sold.

a surviving trace.



I only have remnants of brain matter left this month after working on my entry for Tim's September tag--it was a challenge!

To begin with, I'm alcohol-ink impaired so piles of glossy stamping paper later, I finally arrived at a background that might work.

I don't have transparent gloss texture paste so I used gloss gel medium with Tim's Scribbles stencil instead. I thought it would dry clear but I believe the thicker application prevented this. It's still somewhat transparent though and the pop of alcohol ink colors shine through but it's obviously not the same effect as Tim's.

Rather than highlight the texture with archival ink I used Vintage Photo Distress stain to darken the cracks and provide some contrast.

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There's no frosted paper in my studio so I took a laser printer transparency and sanded both sides to mimic this product. I guess it's close-enough but didn't curl as easy as his did.

Finishing touches included a Foliage charm, Remant Rubs (Words), ribbon scraps and Scribbles (3D fabric paint) dotted along the tag edges.

Tim's monthly tags always challenge me and this time, after allowing myself to fail (and learn), I thankfully pushed myself through.

I am grateful for the process and the end result!

No. 214580 - Special Edition

A friend recently asked how I do image transfers so I thought I'd share a simple step-out today in case others are curious too.

(Click on the photos to see a larger version with the lightbox feature.)

I begin with a photocopy or laser printer (toner-based) copy that I crop to the size I need after reversing it (the Photoshop command is Image-Rotate-Flip Horizontal).

Why reverse it? I may not need or want to but it will be essential if there's text otherwise, it will be reversed and unreadable. Pay attention to the direction Mona is facing as I work through this example and you'll see what I mean.

With a paintbrush, I completely cover the front of the image with an even layer of polymer medium making sure to work all the way to the edges. If an area's not covered--it won't transfer.

I flip the image and place the wet side face down on my support (in this case, a Journal Ticket). I gently press and smooth the image down with my fingers to remove any air bubbles. If there's an air bubble--it won't transfer.

I have to work quickly so the medium doesn't dry before I place it on the support. If it doesn't dry--it won't transfer.

Also, I try not to get any medium on the backside of the image but don't worry if I do--it just makes it a little more difficult to remove later.

If a lot of medium oozes out from the edges then I'm pressing too hard or I used too much medium. Blot up what you can.  No worries, my image will still transfer and I'll know better next time.

I let it completely air dry which, in this case, only took about ten minutes due to the small size. In the past, I've rushed drying with a heat tool which can cause the paper to bubble and if there's a bubble... (you know the drill).

Now comes the fun of rubbing the paper away to reveal the image.

I add a small pool of water on my craft sheet then use my finger to spread it over the back of the photo. I let it soak a bit then begin to gently rub the paper away.

I avoid getting water on the ticket border or rubbing it since it's not protected with medium and I could damage it. Using small amounts of water in a controlled fashion is best--I don't want to rush this part.

I just keep adding a little water and rubbing away all the white bits and it doesn't take long before the magic is revealed.

The edges are the most delicate so I use careful, gentle rubbing in those areas. In spite of my caution, it's not uncommon to lose tiny bits and I don't mind because it adds a distressed appearance.

Notice how Mona is facing the opposite direction? Hopefully, you now understand why sometimes a reversed image matters. In this example, it was important to honor the direction Leonardo originally intended.

I hope you enjoyed this step-out and that you'll give it a try. I think image transfers are a terrific technique to use on mixed media projects.

You can check out other projects I've posted here on my blog that were made with image transfers if you need some inspiration!