Dreamer

This tag began as a happy accident. I received a new stencil (Tim's Blossom) and it was tossed on my tabletop. Later, I noticed that an unused cut-out of this lady had landed on top. Somehow, they seemed to go together and so I ran with it.

I used paint to stamp tiny text over a tinted background then applied blue, grays and greens through the stencil. The lady was put into place and I stamped then overpainted a few birds (Tim's Birds on a Wire). A few of his Big Chit-Chat stickers seemed right to explain the scene.

I'm linking up to Simon's Make Your Own Background challenge.

Simplicity

Tim's March tag inspired me to "remix" a layer of cardboard along with texture paste and paint splatters.

I used a stencil called Mini-Tatting by Rebekah Meier (TCW), Tim's Chit-Chat stickers and his new Ledger Script stamp (buried underneath the layers), along with some butterflies cut from Graphic 45 paper (Botanicabella).

Since the butterfly antennae are impossible to cut because they're so tiny I clipped a few strands from a black paintbrush and pasted them on instead.

Remix

Tim's doing a "Technique Remix" for the 12 Tags of 2016 and this month he features metal embossing and chalkboard stamping. What a combination!

So even though I really tried to use more metal (three tags are in the trash as I write this), the best I could do was pull off the chalkboard look. In spite of my failures it was great fun just to try.

I thought I'd share my discovery for making your own chalkboard paper. Either start with black paper or make your own with paint or black gesso then coat it with what's known as clear gesso.

It's meant to be used mostly for pastel artists who need "tooth" on their surface for the powdery pastels to cling to. It's basically clear acrylic medium with a bit of fine sand mixed in.

First I used Tim's Schoolhouse stencil on a black tag to apply texture paste that was tinted with gray paint. I let it dry, stamped with Tim's Type Keyboard using white pigment ink and clear embossed it.

Then I applied the clear gesso over everything so I could use a white charcoal pencil to give it that chalkboard look.

Remember the grungeboard die-cuts from Tim's early days? That's what I used for the big number 12. Painted with black and clear gesso, they were easy to tint with a red pastel pencil and more white charcoal to keep the chalkboard theme going.

Some circles stamped with red paint, a bit of washi (polka dots), tissue paper and two more design features from Tim's early beginnings--mini staples and Dymo tape (the red 2016) provided the final embellishments.

I may have drifted from this month's remix but embraced what I've learned from following Tim's tag tutorials for such a long time and am excited about this year's new twist. I think it will be great fun to revisit these oldies but goodies.

12 Tags for Christmas - September

Perhaps one of the most challenging Tim Holtz tags this year was the one for September mainly because it featured an embossed transparency and I don't own the necessary equipment. While that fact is still true, my Christmas spin does feature a transparency that was laid (bowed) over the top of a paper background embellished with texture paste using the Idea-ology Scribbles stencil.

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I attached a stamped image that was cut from vellum to the back of the transparency along with some metallic star confetti then stitched around the edges to secure it to the tag. It looks pretty cool in person (though hard to photograph) and gives the appearance that the angel is hovering over clouds.

A Christmas Remant Rub was attached to the front of the transparency and a bit of Broken China Distress was used to tint the edges of the paste.

Better

This Found Relative seems wise beyond her years and the hand-written text kept running through my head as I worked on this tag.

The background was stained with Tumbled Glass then collaged with fussy-cut Wallflower vellum and embellished with some texture (stencil by Crafter's Workshop) and crackle mediums and tinted with gel pens and oil pastels.

Snow Birds

Many birds migrate to the Arizona desert during the winter months and we call the humans that come here "Snow Birds."

Their presence is keenly felt right now--it's a big change from the slow quiet pace of summer and is my inspiration for making this tag.

I used a stencil (Stampendous) to create the trees which were covered with Crackle Accents (Ranger Ink) to give the illusion of bark.

It's been my experience that when you use this product on paper it's best not to use a liquid over the cracks for emphasis because the product may peel-off. So I used oil pastels instead.

The birds are from a stamp called Birds on a Wire by Tim Holtz and I used a gel pen to ink them individually before placement.

A bit of white from a Souffle Gelly Roll pen was used to accent the branches with snow.

I'm linking my tag to Simon's Monday blog challenge--

this week's theme is So Glossy.

Carousel

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Today I'm sharing a journal page made with vintage images, a stamp (the carousel) and stencils which I'm linking to Simon's Monday blog challenge.

This week's theme is love this technique and in this piece, I primarily used sponging and stenciling which I enjoy because it's a fast way to get results.

And since I live in a very dry climate it's almost impossible to apply acrylic paint without leaving brush marks. So, more often than not, I'll apply paint with a cosmetic sponge because paint daubs seem easier to blend. I also use sponges to apply paint through my stencils.

One of the stencils I used is a tree but it's a positive shape (photo left) so I had to trace it with a pencil then fill in my lines with a paint brush.

I would have preferred the reverse version but ordered the wrong kind by mistake and I have learned to live with it.

The photo above is the full-page, uncropped view and you'll see an image transfer of the moon in the upper-right corner along with some stars made with a stencil. Stamp credit for the carousel goes to Tim Holtz--it's from his Tiny Things stamp set.

And speaking of techniques we love, I'll close by sharing an artist who I thought of while working on this page. Her name is Maggie Taylor and I first discovered her work during the opening credits for a TV Series called Ghost Whisperer. Her dream-like artwork is made digitally and she's a Photoshop expert. Her website is a lot of fun and if you're not familiar with her work, I think you'll enjoy it.

Remnants

rem·nant
/ˈremnənt/

noun

a small remaining quantity of something.

a piece of cloth or carpeting left when the greater part has been used or sold.

a surviving trace.



I only have remnants of brain matter left this month after working on my entry for Tim's September tag--it was a challenge!

To begin with, I'm alcohol-ink impaired so piles of glossy stamping paper later, I finally arrived at a background that might work.

I don't have transparent gloss texture paste so I used gloss gel medium with Tim's Scribbles stencil instead. I thought it would dry clear but I believe the thicker application prevented this. It's still somewhat transparent though and the pop of alcohol ink colors shine through but it's obviously not the same effect as Tim's.

Rather than highlight the texture with archival ink I used Vintage Photo Distress stain to darken the cracks and provide some contrast.

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There's no frosted paper in my studio so I took a laser printer transparency and sanded both sides to mimic this product. I guess it's close-enough but didn't curl as easy as his did.

Finishing touches included a Foliage charm, Remant Rubs (Words), ribbon scraps and Scribbles (3D fabric paint) dotted along the tag edges.

Tim's monthly tags always challenge me and this time, after allowing myself to fail (and learn), I thankfully pushed myself through.

I am grateful for the process and the end result!

Renegades

The joy of play and uninhibited creative expression is the reward for keeping an art journal. The pages are not meant to be "works of art." Instead, the freedom to explore (and learn) elevates it to a much higher plane and the confidence gained may carry-over to more serious pieces. So I say, get busy and be a renegade!

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A new set of Gelly Roll pens, exposure to a couple of technique videos and a cool new song by X Ambassadors called Renegades fed my inspiration for this journal page spread.

First, the technique videos merit reference in case you want to watch. One is by Piarom (blog link, video link) and the other is by Jeanne Oliver (video link, requires creating a login to view).

Both artists use figures cut from magazine pages which they transform in different ways. Mine didn't go in quite the same direction but their videos did inspire me to try.

I also used some other magazine scraps along with paint pens, colored pencils, stencils, a Tim Holtz scroll stamp and some of his tissue paper.

I'll close by saying that I love, love, love my new Gelly Rolls (called Souffle). They write over anything including fluid mediums and waxy colored pencils and are waterproof. So useful!

I think I'll link this to Simon's Monday blog challenge - this week's theme is anything goes (mine will be entry #521 - whew!).

Merriment

Torn scraps of pasted papers left-over from other projects became the background for this tag along with tints from acrylic paint, colored pencils and walnut ink-stained edges. The lady and flower are image transfers and I used a stencil to break-up the background with just a few tiny squares.

I painted the area just behind the lady's face with off-white paint before transferring the image to keep the background from showing through this transparent layer.

Here is Now

An image transfer on an old postcard is the main feature of this collage tag which I embellished with a tiny figure, some Remnant Rubs and stenciled dots.

The bottom border was cut from the back of a Found Relative photo. The tag was tinted with colored pencils and the edges were distressed and dotted with a Gelly Roll pen.

I made it for linking to Simon where this week's theme is coffee or tea.

Swimming

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The daytime temps here in the desert have been hovering between 105 and 110 degrees for the last three weeks.

So, the only way to get outside and stave-off cabin fever is to find a swimming pool!

You have to park your flip-flops right at the pool edge because the ground gets so hot you can't walk barefoot.

I'm posting this journal page to celebrate a favorite summer pastime which was prompted by this week's theme at Simon Says Stamp.

The ladies are an image transfer and I used a variety of stamps, stencils, acrylic paint, colored pencils and ink pens to make it. My hubby calls my hobby "coloring" and the term really applies here because I did feel the joy of creating like a kid with this one.

I inscribed the words from a song by Loudon Wainwright III called "The Swimming Song" to decorate my pages and thought I'd post the lyrics below since you can't read them too well in the photos.

This summer I went swimming, 
This summer I might have drowned 
But I held my breath and I kicked my feet and I moved my arms around, I moved my arms around. 

This summer I swam in the ocean, 
And I swam in a swimming pool, 
Salt my wounds, chlorine my eyes, 
I'm a self-destructive fool.

This summer I swam in a public place and a reservoir, to boot, at the latter I was informal, at the former I wore my suit, I wore my swimming suit. 

This summer I did the backstroke 

And you know that's not all 

I did the breast stroke and the butterfly 

And the old Australian crawl, the old Australian crawl. 

This summer I did swan dives 

And jackknifes for you all 

And once when you weren't looking 

I did a cannonball, I did a cannonball.

Lady Huron

Liquitex light modeling paste, Distress clear rock candy crackle paint and shiny black Scribbles were the mediums used to link this tag to Simon's Monday blog challenge where this week's theme is cleverly named don't cut, just paste.

I haven't combined a paste layer with crackle medium before but it worked out well here because it created a uniformly flat surface for pasting on collage elements.

Let me explain.

First, I took a plain manila tag and covered it with several layers of victorian velvet Distress stain to get a rich, dark background.

Then I used a Prima damask stencil and modeling paste which absorbed some of the stain, tinting it to a lighter shade of pink.

Next came the crackle paint which I applied with a palette knife. It settled into the recessed areas of the damask at a perfect thickness for crackling and was enhanced by working in thinned-out white acrylic paint after it dried.

The banner was cut from scrapbook paper and distressed to match the photo. The black, dimensional dots applied to the photo and tag borders were applied using a 3D paint called Scribbles.

Why Lady Huron? She was named in honor of new music I listened to while making this tag. The CD, titled Strange Trails, by a group called Lord Huron was very inspirational and I had to give due credit!

Gingham

I'm not always open to whatever comes next except, maybe, when it comes to crafting. I'm the type that likes to make lists and always have a plan. But since surprises and happy (?) accidents are part of making art, I am learning to embrace them.

The photo I used is a Found Relative and since Fido seems to be anticipating something, Tim's Small Talk sticker seemed appropriate here.

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Mostly, this was an experiment with my Simon Says Stamp stencil called Gingham which I used in several layers to create a background with Distress inks.

After altering and pasting on the photo, I created a border with the stencil and texture paste that I tinted with black gesso.

The butterfly (left over from another project) has a layer of clear crackle and provides a touch of sparkle.

I'm linking to the Monday blog challenge at SSS where this week's theme features Simon brand products.

Destination

Inspiration can come from anywhere and, sometimes, it's only after I make something that I realize what the probable source of my creativity was.

This tag is most likely the result of my recent binge-watching of an HBO series which aired some years ago and focuses on human mortality and the lives of those who deal with it on a daily basis.

I used gesso with Tim's Scribbles stencil to create a background that was tinted with Distress inks.

My muse picked the three images: a gravestone, banner and woman, which I printed in smaller scale then cut-out and collaged.

Some tissue paper and scrapbook paper bits were added for balance and the tag edges were roughed-up and inked.

The TV series features a lot of dream sequences which must explain why I chose to use this particular sentiment from Tim's Remant Rubs.




I'll close this post by sharing a link to this Ted Talk on inspiration and creativity from Elizabeth Gilbert which I discovered via Seth Apter's blog, The Altered Page.

It seems appropriate to share it with this tag and I believe you may enjoy it and find it as useful as I did.

Devil or Angel?

My entry for Tim's May tag features a snapshot from the Idea-ology Photobooth strips along with pieces from the vellum Expedition ephemera pack, a metal number brad and the School House stencil.

I thought I'd share a few tidbits regarding my distress techniques rather than provide a step-out since Tim's got that covered.

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I distressed the photo by peeling off the back so it would be thin enough to scrunch then flattened it out, pasted the backing back on and inked the edges.

A liberal amount of water was used with red brick and iced spruce to tint the texture paste and background. Naturally, the tag warped a bit so I flattened it out with some heavy books overnight.

There's adhesive-backed metallic mesh behind the photo and I used text rub-on's for the question marks. I also wanted the hole reinforcement on the tag to show so I cut my background papers around it.

I used a typewriter for the text on the shield. To insert it into the machine, I used washi tape to temporarily fix it to a larger piece of paper.

I distressed the shield with sand paper and tinted the edges with colored pencils.

I removed the tabs from the number brad then flattened it out with a rubber mallet. I darkened the numbers a bit with a fine permanent marker.

To tone down the color of the arrow which was originally a very bright orange-red, I used a colored pencil in a complementary color, blue-green (which is opposite orange on the color wheel).

This is a good trick to become familiar with when going for a distressed look because adding a color's complement is a proven way to tone down the original hue by reducing it's intensity.

To paste the arrow, I marked off where it would be then scraped away the stenciled letters underneath so it would lay flat on the background.


Well, I think that's everything and once again, I enjoyed the challenge of this month's tag.  Tim sure did pull out all the stops this month and I hope you are inspired to create something too!

Middle Ground

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mid·dle ground

noun

1. an area of compromise or possible agreement between two extreme positions, especially political ones.

2. the middle distance of a painting or photograph.





I have a journal page for your perusal today made for the express pleasure of experimenting with a new stencil. As you can see, I got a bit carried away but what better way to see just what it can do?

The ladies were cut and pasted down first, then I painted the sky and ground and added the stenciling last. I went back in and adjusted some of the values to try and give it more depth which included adding the lake and mountains in the distance.

This lovely little glass trinket was my inspiration for the slightly unusual tint. Yes, I could have used more traditional landscape colors but I wanted the challenge of trying something different.

I'm linking to Simon's Monday blog challenge where this week's most excellent theme is in the middle.

Explore Life

Tim's March tag for 2015 is a lesson in masking and using embossing powders with texture paste. I have three tags in the trash that just didn't pan out but believe me, I tried. My failures may be related to not having the right mediums so I just had to do things differently.

I don't usually step-out my techniques but, in this case, I thought it would be useful to demonstrate my process (click on the images for a larger view).

I began by pasting a paper from Tim's Crowded Attic paper stash onto a manila tag. They are images of vintage stamp pads and one of my all time favorites.

Sometimes it's hard to visualize where best to place a stamp so I made an imprint on some acetate that I used to try out different arrangements.

I stamped the image using Perfect Medium and clear embossing powder because I wanted to create a resist.

Then I applied a coat of Seedless Grapes Distress Stain and let it dry followed by a second coat of Vintage Photo stain.

As you can see, the embossed image resisted the stains perfectly!

To remove the embossing, I used a hot craft iron and absorbent paper (newsprint is best). The iron re-melts the embossing and the paper absorbs it. Make sure to pull the paper off immediately after you heat the image otherwise it will cool and the paper will stick.

Tim calls this next technique "stamp-to-stamp." I wanted to fill-in the bird so I stamped a library stamp onto the bird stamp then re-stamped the bird onto my tag (whew!).

Hopefully, the photo will help to explain what I mean.

No rocket science for the next step which was simply a matter of sponging paint through Tim's Burlap stencil.

I went over some of the stenciled areas with Black Soot Distress Ink to provide a variation of color.

Tim always says, "it's in the details" so my final touches include a Remant Rub over homemade tape, a touch of Peacock Feathers on the raven's body, a gel pen for the black dots, a black colored pencil to outline one edge of the bird and a white gel pen to bring out a few highlights.

I admit I didn't follow along very well this month but I really like Tim's composition and the idea of using a large bold stamp along with the stencils. I think part of the appeal of his tag is the strong contrast of lights and darks which I tried to aim for.

The monthly tags always make me push my boundaries and try new things which must be the reason I enjoy it so much.


Here's a link to more information on the emboss resist technique from one of Tim's tutorials that explains it perfectly.

And here's a video from Tim that demonstrates the stamp-to-stamp technique (skip to the 6:45 minute mark to by-pass the embossing folder info). I kind of wish I had watched this demo before starting my tag. I would have done things differently but will definitely try this technique again.

Stamp credits: Stamper's Anonymous Scratched Raven and Library

In the Balance

I used to love spending time flipping through picture books at the library. I'd grab a few National Geographics, perhaps a volume on a famous artist or some books on travel. Anything with lots of pictures.

Now, thanks to the Internet, I can do almost the same thing right from home on my laptop. And when I find an image that really strikes a cord, I feel I must print it and do something with it. I guess it's a way of savoring it just a little more--becoming more intimate with it.

I altered an image like this one last year (see here) and believe this recent discovery is its mate (I wish I knew who the artist was so I could give credit). It's almost identical and I strongly suspect both images were made by the same artist at around the same time.

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It was cut out and pasted on a tag whose background was made by stomping white paint through a nylon mesh bag, stamping with archival ink and tinting with Distress inks.

I'll be on the look out for additional work by this artist and perhaps, finally discover who created them. If anyone can steer me in the right direction, I'd appreciate it!

Stamp credit: Stamping Bella Eclectic

Buddies

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I've spent a lot of time, lately, working with the Idea-ology Found Relatives.

When I opened my first box I have to admit I was disappointed in how thick they were--a bit like playing cards.

In some applications, a thick photo is good but I use them most for collage and in this case, thinner is better.


But now I know it's SO EASY to modify them and I thought I'd share one of the ways I do it in case you'd like to give it a try.

First, peel off the back covering. Use your fingernail or a knife to get it started then just slowly pull it off (really easy).

Then get out some sandpaper (I use Tim's sanding block) and remove as much of the paper backing as you'd like.

For really thin photos, after sanding, spritz a little water on the back and rub off more paper bits with your fingers. Be gentle at this stage because the water weakens the paper and it becomes more delicate.

I've been able to get a photo so thin you can see through it! These guys are pretty tough and you'd never be able to do this with a regular photo.

It's also much easier to trim the photo after you've thinned it down a bit and I always tint the cut edges with a waterproof ink marker so they blend into my backgrounds better.

My "Buddies" came from the new Occasions series of Found Relatives and I created this tag for the winter theme at Simon's Monday blog challenge. I did some sanding, peeling and rubbing of the background paper, pasted on the boys, then used Simon's Falling Snow stencil with some white acrylic paint.

I didn't intend to create an avalanche but that's what it looks like!